Steve Stegelin’s Building a Safer Comics Community

Steve Stegelin’s Building a Safer Comics Community

For an uncomfortably too-close-to-home satire of the comic book industry, look no further than Evan Dorkin’s Eltingville Club. A darkly comic—and scathing—indictment on nerd culture, Dorkin used the series to comment on the worst the fandom has to offer, including the oppressive and misogynistic way it can either dismiss or objectify women in the industry. This week, the comic news sites sadly proved Dorkin’s commentary right, as multiple victims of sexual abuse and harassment came forward with their #metoo stories from the trenches of the industry.

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Steve Stegelin’s Perils of Editorial Cartoons

Steve Stegelin’s Perils of Editorial Cartoons

The comic book industry often goes through moments of doom-and-gloom, like when a tentpole Big Two publisher breaks up with the primary distributor. However, there are times when I’m reminded that cartoonists in general—regardless of whether their comics be books, strips, or editorial—often live in a state of endangered species.

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Steve Stegelin’s Writer or Artist: Which is More Important?

Steve Stegelin’s Writer or Artist: Which is More Important?

A thread recently popped up online, asking which was more important in comics—the writer, or the artist. The root of the thread may have been the trade dress for DC Comics’ “DC Ink” imprint of graphic novels written by young adult authors like Meg Cabot, Melissa de la Cruz, and Kami Garcia. Capitalizing on the success and following of these writers, the covers obviously market to their audience, promoting the author credit in a huge font across the top while relegating the artist to an easily overlooked “Illustrated by” footnote in a lower corner.

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Steve Stegelin’s When Cartoons Are No Laughing Matter

Steve Stegelin’s When Cartoons Are No Laughing Matter

So, just to get this out of the way, a bit of a trigger warning: This post contains some political opinion. Of course, I’m a political cartoonist, so that shouldn’t come as a big surprise. However, if you’re not interested in a political conversation, it’s completely understood, and you’re free to peruse some of the other great material here on ShoutFyre.

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Steve Stegelin’s Balancing Act: Juggling Multiple Projects

Steve Stegelin’s Balancing Act: Juggling Multiple Projects

This week has been hectic, with multiple projects running simultaneously and new ones popping up. As I look at the work accomplished (and what’s still left to do), it seems a good opportunity to apply the recent lessons learned toward one more project—this blog post. Here are my tips and tricks to maintain your sanity as you meet your competing deadlines, things I’ve reminded myself as I balanced this week’s robust workload.

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Steve Stegelin’s Know Your Audience

Steve Stegelin’s Know Your Audience

Know Your Audience: The Importance of Creating for Yourself

In this social media landscape of Likes and Follows, it’s easy to get wrapped up in trying to figure out what posts will get the most love. Social media success can be as much due to the whims of lucky timing as it is the science of SEO, algorithms, and your hashtag game. Yes, there are those who somehow managed to capture lightning in a bottle to—at least temporarily—rise to internet fame or a sizable online following.

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Steve Steglin’s Calculated Risks: The Art of Taking Chances

Steve Steglin’s Calculated Risks: The Art of Taking Chances

I’ve talked before about the importance of networking, from local comics aficionados to active comic professionals. That networking can lead to friendships, community, and (hopefully) opportunities for published work. At the same time, sadly, there are some in the community who prey on those eager to break into comics, who may take advantage of your hard work with a promise of “exposure” and little more. As such, it’s important to network with your eyes open, to protect yourself and your work.

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Steve Stegelin’s Editorial Cartooning: Pointing Out by Poking Fun

Steve Stegelin’s Editorial Cartooning: Pointing Out by Poking Fun

Editorial Cartooning: Pointing Out by Poking Fun
Last week, I talked about how I’ve found my cartoon work to require a fair bit of improvisation, from illustrations to longer-form sequential art. That’s no different for my editorial cartoons that appear every week in the pages of Charleston, SC’s alternative weekly, Charleston City Paper. If anything, it’s a requirement while producing a weekly editorial cartoon in a 24-hour news-cycle world—one that’s only accelerated over my 17 years at the City Paper.

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